Live: Alejandro Escovedo & the Sensitive Boys @ the Calvin Theatre, 7/20/10

Alejandro Escovado
Alejandro Escovado

Alejandro Escovedo has been knocking out one great album after another since his solo debut in 1992 – and he made some mighty fine albums before that with such bands as Rank & File and the True Believers.

Sadly, he still hasn’t been able to break out of cult status and into mainstream success. The small crowd of discerning folks at the Calvin Theatre last week didn’t care. They already knew that talent is no guarantee of success in the music biz. And they already knew about Escovedo’s towering musical talent.

Escovedo and his lean, mean power-trio of a band, the Sensitive Boys, stepped out on stage swinging for the fences with an amped-up, bristling “Always a Friend.” They concentrated on the new album, “Street Songs of Love,” early on, cranking it up for serious, no-frills rockin’ on “This Bed’s Getting Crowded” and the roaring garage-rock nugget “Tender Heart.” Throughout the night, guitarist David Pulkingham was nothing short of amazing.

The band switched things up for the middle section of the show, trading in sheer power for a more subtle musical approach and a more poetic lyrical tact on the aching requiem “Sister Lost Soul” (dedicated to Stephen Bruton), “Rosalie” and the gorgeous “Five Hearts Breaking.”

Escovedo blitzed through a few more muscular musical attacks – most notably the squalling, feedback-fueled “Chelsea Hotel ’78” – to wrap things up, and then returned to the stage with a pair of swaying, swaggering Stones tunes – “Sway” and “Beast of Burden” – for encores.

Canadian alt-country singer-songwriter Kathleen Edwards was the co-headliner for the show, but she wisely took the opening slot. Backed by a four-piece band that included new guitarist Gord Tough, Edwards settled into a primarily mid-tempo groove, although she cranked it up to rock out on the steamrolling “Back to Me,” and she brought it down to a more intimate folk-ballad level for the crowd-pleasing “Hockey Skates.”

“There’s two things I enjoy writing about,” Edwards revealed. “Canadian geography and lust.” She combined the two deftly on “Going to Hell,” one of several new tunes that she unveiled.

She also offered the biggest surprise of the evening, bringing out Justin Vernon of Bon Iver to fire up some electric guitar and vocal harmonies on the wistfully nostalgic “Mercury.”

Photographs by Michael Hochanadel

Sheryl Hunter’s review in The Hartford Courant
Michael Eck’s review in The Times Union

Always a Friend
This Bed Is Getting Crowded
Tender Heart
Street Songs
Sister Lost Soul
Down in the Bowery
Fort Worth Blue
Five Hearts Breaking
Chelsea Hotel ’78
Real as an Animal
Sway (Rolling Stones)
Beast of Burden (Rolling Stones)

I Make the Dough, You Get the Glory
In State
Six O’Clock News
Hockey Skates
Mercury (w/Justin Vernon of Bon Iver)
Going to Hell
12 Bellevue
Goodnight, California
Back to Me
Buffalo (solo)
Asking for Flowers
The Swimming Song (Loudon Wainwright III)
Alejandro Escovedo and The Sensitive Boys

Alejandro Escovedo and The Sensitive Boys
Alejandro Escovedo and The Sensitive Boys

Kathleen Edwards
Kathleen Edwards

  1. LP says

    Thanks for great review. New disc is in the mail. I just wish Alejandro will come back around a little closer in the fall…somewhere we can be real as an animal.

  2. Rick says

    That wasn’t Colin Cripps playing with Kathleen Edwards. It was her new guitarist Gord Tough.

  3. Greg says

    Thanks, Rick, I made the correction. Much appreciated…

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