ArtBeat: What To See
The title of the exhibition is drawn from an image of a Kodak Bull’s-Eye Brownie Camera, Benjamin’s first camera as a child. The image titled “My First Camera” is a photograph Benjamin took of this camera, a relic of his history as a photographer. There will be a full color catalog available including an essay by Shelby Lee Adams, a 2010 Guggenheim Photography Fellow. Artist Reception: Thursday, April 7, 5-7pm. (Through May 22)
Peter Liepke: Cityscapes @ Carrie Haddad Photographs, Hudson. Moody, atmospheric large-format photographs shot with a Graflex Super D. Also on exhibit: works by Ida Weygandt. (Through April 10)
Objects of Wonder and Delight: Four Centuries of Still Life from the Norton Museum of Art @ The Hyde Collection, Glens Falls. Comprised of 51 works in a variety of media from the collection of the Norton Museum of Art in West Palm Beach, Florida, the exhibition features some of the most famous artists in Western art history such as Gustave Courbet, William Harnett, Henri Matisse, Pablo Picasso, Georgia O’Keeffe, Edward Steichen, Robert Mapplethorpe and Andy Warhol. (Through April 21)
Close Encounters @ MCLA Gallery 51, North Adams. Mixed media artwork including photography, painting, sculpture and video, that explores how people interact with each other and the world around the through emotional, physical, or even spiritual means. (Through April 24)
Graham Parker: The Confidence Man @ EMPAC, Troy. New York-based artist Graham Parker has long been interested in spectrality—the concealing of one set of operations behind the appearance of another. His 2009 book Fair Use (Notes from Spam) explored spam emails as the latest manifestation of a longstanding mode of deception that has accompanied nearly all new developments in human transport and communication networks (the book touched on such phenomena as Nigerian spam, 19th century railroad cons and medieval beggar gangs). The Confidence Man features work that has grown out of that research—including hacked ATM machines, rogue WIFI networks, monologues drawn from spam emails, and a tribute to the 1973 film The Sting.
For three weeks starting on Monday, March 21, the artist will be working in the space for a few hours each day, using the exhibition as a studio and making ongoing alterations to the installation. Parker will be available for conversations with the public on a drop-in basis if he is onsite. To book or confirm a tour or conversation with the artist, please call the EMPAC box office at 518.276.3291. (Through April 30)
The Reflections Series – Empire State Cars @ The Albany Barn, Albany. Photographer/designer Craig A. Shufelt’s photographic film portraits of classic automobiles as mirrors of the lives of their respective owners. (Through April 30)
CLAP @ CCS Bard Hessel Museum of Art, Annandale-on-Hudson. CLAP is a curatorial collaboration between CCS Bard graduate students Nova Benway, Michelle Hyun, Nathan Lee, Dylan Peet, and CCS Bard Executive Director Tom Eccles featuring art from the Marieluise Hessel Collection, including works by Rita Ackermann, Nicolas Africano, Janine Antoni, Ida Applebroog, Siah Armajani, John Baldessari, Georg Baselitz, James Bayard, Joseph Beuys, Bik Van der Pol, John Bock, Cosima von Bonin, Richard Bosman, Manuel Álvarez Bravo, Roger Brown, Michael Buthe, Paul Chan, Liz Deschenes, Roe Ethridge, Tony Feher, Saul Fletcher, Robert Gober, Félix González-Torres, Wade Guyton, Mona Hatoum, Eberhard Havekost, Richard Hawkins, Charline von Heyl, Jim Hodges, Rebecca Horn, Alfredo Jaar, Neil Jenney, Joan Jonas, On Kawara, Jannis Kounellis, Sean Landers, Robert Mapplethorpe, Christian Marclay, Virgil Marti, Paul McCarthy, Allan McCollum, Mario Merz, Bruce Nauman, Gabriel Orozco, Tony Oursler, Giulio Paolini, Raymond Pettibon, William Pope.L, Lisi Raskin, Steve Reich, Jason Rhoades, Aïda Ruilova, Carolee Schneemann, David Shrigley, Lorna Simpson, Ryan Trecartin, Nicola Tyson, Kara Walker, Lawrence Weiner, Mark Winetrout, and Andrea Zittel. (Through May 22)
The Visual Dynamic @ @ Saratoga Arts, Saratoga Springs. Jennifer Hunold’s sewn images and Jason Paradis’ installations explore the dichotomy between societal relationships and our perceived environment. (Through May 28)
Witness: The Art of Jerry Pinkney @ Norman Rockwell Museum, Stockbridge. Opening Saturday, November 13, the first major retrospective exhibition of the award-winning children’s book illustrator and designer will feature more than 140 watercolor illustrations spanning his 50-year career, touching on such personal and cultural themes as the African-American experience, the wonders of classic literature and the wisdom in well-loved folk tales. (Through May 30)
Keeping Time @ Albany International Airport, Albany. Artists navigate the collective and individual mythology of nostalgia with an eye for its humorous, deceptive and often bittersweet nature. Featuring Joel Griffith, Stevan Jennis, Matt LaFleur, Leslie Lew, Michael MIllspaugh, Ken Ragsdale and Randy Regier. Opens April 2. Reception: Friday, April 8, 5:30-7:30pm. (Through September 5)
Shadow Catcher: Edward Curtis Among the Kwakiutl @ Fenimore Art Museum, Cooperstown. Edward Curtis (1868-1954) devoted over 20 years to photographing and documenting over 80 American Indian tribes. After receiving a commission from financier J.P. Morgan, he produced a 20 volume series called The North American Indian, with each volume comprising 75 photogravures and 300 pages of text. The exhibition features the complete Portfolio Number 10, entitled The Kwakiutl. Paired with the Eugene and Clare Thaw Collection of American Indian Art, which includes numerous Kwakiutl artworks, the exhibition allows visitors to see the masterpieces of the Thaw collection be brought to life in the ceremonies and lives of the Kwakiutl people. (Through December 31)
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