ArtBeat: What To See
Also at MASS MoCA this summer is Bureau For Open Culture’s I Am Searching For Field Character, an examination of the today’s cultural worker.
Set within a previously unused industrial building on the grounds of MASS MoCA, Bureau for Open Culture presents I Am Searching for Field Character, a series of public conversations, performances, installations, workshops and a beer garden with a slew of artists, writers, designers and thinkers visiting North Adams, Massachusetts, over the course of the summer.
- Beer Garden: Nestled along the Hoosic River the Beer Garden serves local beer and functions as a site for community while providing income to fund the presentation of programming. (Thursdays and Fridays, 5-10pm through September 30)
- Work Site: Work Site is a space where “freelancers” who usually work at home can bring their laptops, sketchpads, and books to work periodically and engage socially. (Through September 30)
- Elegantly Wasted: A Fashion-Forward Ecosystem For The Hoosic River: With this month-long performance, Sarah Cowles asks North Adams to confront its concrete-contained Hoosic River, making it visible where it is largely ignored and appreciating it for what it is now. (Through June 30)
- Bartleby’s Pen & Night Market by Red76: Bartleby’s Pen is a series of slide lectures in the Beer Garden where visiting artists serve up their ideas alongside beverages. Night Market sells goods from culture-makers near and afar, considering small-scale market products as equal forms of production. (June 17 – September 23)
- On Symptoms of Cultural Industry: Through original research interviews with former employees of Sprague Electric, this work manifests as an installation of performance, photography, and video which form and intimate portrait of a city in transition. (July 17 – July 31)
Also on exhibit is Prendergast to Pollock: American Modernism from the Munson-Williams Proctor Arts Institute features 35 drawings and paintings from Edward Wales Root’s personal collection of American art, including works by Willem de Kooning, Jackson Pollock and Mark Rothko. Opens Saturday, May 28. (Through September 18)
The Visual Dynamic @ @ Saratoga Arts, Saratoga Springs. Jennifer Hunold’s sewn images and Jason Paradis’ installations explore the dichotomy between societal relationships and our perceived environment. (Through May 28)
Witness: The Art of Jerry Pinkney @ Norman Rockwell Museum, Stockbridge. Opening Saturday, November 13, the first major retrospective exhibition of the award-winning children’s book illustrator and designer will feature more than 140 watercolor illustrations spanning his 50-year career, touching on such personal and cultural themes as the African-American experience, the wonders of classic literature and the wisdom in well-loved folk tales. (Through May 30)
The Decisive Moment @ The Photo Center of the Capital Region, Troy. Excitement, triumph, and tragedy are momentously depicted among the 45 images on exhibit from the work of 15 photojournalists from throughout the Capital Region. Closing reception: Friday, June 3, 5–9pm. (Through June 5)
My Lens: 10th Anniversary Exhibition @ Martinez Gallery, Troy. Group photography exhibition featuring Natha Bocco, Allen Bryan, Dan Burkholder, Tim Cahill, Cesar Chelala, Chris DeMarco, Mariana Depetris, Jim Flosdorf, Nancy Noble Gardner, Mercedes Guerric, George Simmons, Jill Skupin and Kathy Vargas. (Through June 27)
Two shows: Batik Weeks is a series of small, mixed media works by Amy Madden, while Impressions of Berlin and Other Works presents Laura Radwell’s abstract photographic collages. Opening reception: Saturday, May 14, 6-8pm. (Through June 19)
Bing Bang Boing: Radical Instruments of Sound & Vision @ GCCA Catskill Gallery, Catskill. A festival of handmade musical instruments exploring sound, music, sculpture and performance, featuring Peter Head, Brian and Leon Dewan, Harry Matthews, Matt Bua, Nick Yurman, Bradford Reed and Michael Delia. Also on display: a solo exhibition of paintings by John Karch.(Through July 2)
The second installation, index (v.4), is an interpretation of EMPAC’s communication network activity, played by two-computer controlled pianos at the entrances at each end of the building. Software written in collaboration with EMPAC’s IT team monitors the networks and translates bits and pieces into musical notes for the pianos—using the computers and pianos to connect work and play. (Through September 1)
Keeping Time @ Albany International Airport, Albany. Artists navigate the collective and individual mythology of nostalgia with an eye for its humorous, deceptive and often bittersweet nature. Featuring Joel Griffith, Stevan Jennis, Matt LaFleur, Leslie Lew, Michael MIllspaugh, Ken Ragsdale and Randy Regier. (Through September 5)
Shadow Catcher: Edward Curtis Among the Kwakiutl @ Fenimore Art Museum, Cooperstown. Edward Curtis (1868-1954) devoted over 20 years to photographing and documenting over 80 American Indian tribes. After receiving a commission from financier J.P. Morgan, he produced a 20 volume series called The North American Indian, with each volume comprising 75 photogravures and 300 pages of text. The exhibition features the complete Portfolio Number 10, entitled The Kwakiutl. Paired with the Eugene and Clare Thaw Collection of American Indian Art, which includes numerous Kwakiutl artworks, the exhibition allows visitors to see the masterpieces of the Thaw collection be brought to life in the ceremonies and lives of the Kwakiutl people. (Through December 31)
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