Pia Camil’s Art at The Clark

The Clark Art Institute has launched a new program of year-long contemporary art exhibitions installed in its public spaces with an inaugural exhibition, Pia Camil: Velo Revelo, presenting three works by Pia Camil (Mexican, b. 1980).

The program includes a site-specific installation in the Manton Research Center Reading Room and two works presented in the lower level of the Clark Center. The exhibition title combines the Spanish words for “veil” and “to reveal,” suggesting Camil’s interest in the tensions between private and public, opaque and transparent, domestic and institutional. The exhibition of Camil’s work will be on view through January 2021 and is free and open to the public.

“Pia Camil, one of the most exciting artists working in Latin America today,” said Olivier Meslay, Hardymon Director at the Clark. “This is a wonderful collaboration that enlivens our public spaces and reminds visitors that the Clark is a place for the art of all ages, year-round.”

Robert Wiesenberger organized the exhibition for the Clark, working closely with Camil. “Pia Camil is the ideal artist to launch this program, given her sensitivity to architectural space, her deep engagement with art history, and the breadth of her cultural references,” said Wiesenberger, the associate curator of contemporary projects at the Clark. “Camil excels in many media, from ceramics to drawings to performance, but this selection shows visitors how she deals with one specific medium: using fabric alone, Camil creates works that are both beautiful and incisive, asking probing questions about craft, the body, gender, and identity.”

SCAD Savannah – Winter 2018 – deFINE art – Exhibitions – Pia Camil – “Fade Into Black” – Documentation – SCAD Museum of Art – Photography Courtesy of SCAD

Camil used the sheer nylon of women’s pantyhose to create Velo Revelo (2020), a more than fifty-foot-long curtain that partially covers both an internal window that looks into the Clark’s library and conceals a scale reproduction of a painting she selected from the Clark’s collection. The sculpture modifies the formal, public, and institutional architecture of the Manton Reading Room to evoke intimacy, domesticity, and femininity. For Camil, the range of skin-toned colors used in stockings also invites questions of identity and self-presentation. She chose Giovanni Boldini’s (Italian, 1842–1931) Young Woman Crocheting (1875), which depicts craft as leisure, to be seen through the curtain, as much for its focus on the subjectivity of the sitter as for the richly handled fabrics depicted surrounding her. The original painting is currently on view in the Clark’s permanent collection galleries.

Telluride Tunic (2015) and Valparaiso Green Cloak for Three (2016), two sculptures from Camil’s “Skins” series, are presented in the lower level of the Clark Center. These monumental, garment-like forms, made of castoff fabric from textile factories, draw parallels between traditional Mexican craft and the modernist American paintings of Frank Stella. Telluride Tunic borrows its title and color from Frank Stella’s 1962 Telluride, a T-shaped canvas in his “Copper Paintings” series. Noting the similar shape and geometric patterning of Stella’s painting and garments like the poncho or serape, Camil collaborated with fashion designer Erin Lewis and seamstress Virginia Juarez to reimagine Telluride in cloth. Similar to Telluride Tunic, Valparaiso Green Cloak for Three (2016) references the methodical geometry of Stella and traditional Mexican dress but adds colorful, seemingly painterly printing errors on the fabric as a gestural counterpoint to Stella’s matter-of-fact minimalism. Intentionally oversized to fit multiple people, it is also an object that implies a performance.

Research assistance for the project was provided by Mariana Fernandez, curatorial intern and graduate student in the Williams Graduate Program in the History of Art. Pia Camil’s work is courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo.

Pia Camil lives and works in Mexico City, and studied at the Rhode Island School of Design and the Slade School of Fine Art in London. Her practice is research-driven and collaborative, and her mediarange from found and hand-dyed fabric to ceramics, video, and performance. Camil’s work was recently presented in solo exhibitions at the Guggenheim Museum, Queens Museum, Museo Universitario del Chopo, Nottingham Contemporary, and Contemporary Arts Center, Cincinnati.

The Clark Art Institute, located in the Berkshires of western Massachusetts, is one of a small number of institutions globally that is both an art museum and a center for research, critical discussion, and higher education in the visual arts. Opened in 1955, the Clark houses exceptional European and American paintings and sculpture, extensive collections of master prints and drawings, English silver, and early photography. Acting as convener through its Research and Academic Program, the Clark gathers an international community of scholars to participate in a lively program of conferences, colloquia, and workshops on topics of vital importance to the visual arts. The Clark library, consisting of more than 275,000 volumes, is one of the nation’s premier art history libraries. The Clark also houses and co-sponsors the Williams College Graduate Program in the History of Art.

The Clark, which has a three-star rating in the Michelin Green Guide, is located at 225 South Street in Williamstown, Massachusetts. Its 140-acre campus includes miles of hiking and walking trails through woodlands and meadows, providing an exceptional experience of art in nature. Galleries are open Tuesday through Sunday, 10 am to 5 pm; open daily in July and August. Admission is $20; free year-round for Clark members, children 18 and younger, and students with valid ID. Free admission is available through several programs, including First Sundays Free; a local library pass program; EBT Card to Culture; and Blue Star Museums. For more information on these programs and more, visit clarkart.edu or call 413 458 2303.

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