Concert Review: Tim Coakley Jazz Show 35th Anniversary @ The Linda, 11/12/2022


Tim Coakley-Fest at WAMC Shares Traditional Tunes, Warm Vibes

ALBANY – When WAMC started broadcasting “The Tim Coakley Jazz Show,” Louis Armstrong had just received his first trumpet and Jelly Roll Morton hadn’t yet claimed he’d invented jazz.

Wait, no – not QUITE that long ago.

Veteran drummer, DJ, concert promoter, scene catalyst and faithful keeper of the traditional jazz flame Coakley started airing jazz records when they were still records, some 35 years ago.

As Coakley recalled in an interview that aired while I drove to WAMC’s The Linda Saturday afternoon for the celebration of Coakley’s lively longevity, he recorded his weekly show at first on a reel-to-reel tape recorder. Saturday’s celebration was very very live as Coakley played drums in both bands that performed before an open jam session.

Tim Coakley (photo by Michael Hochanadel)

Bill McCann hosted the show plus a generous buffet. He introduced the artists with the lighthearted injunction that anyone unmoved by the music should seek immediate – “and I mean immediate” – medical attention. McCann actually launched his own jazz radio love fest, “The Saturday Morning Edition of Jazz,” on WCDB two years before Coakley first spun records at WAMC. McCann is vice president of A Place for Jazz (also founded that same year) where Coakley succeeded founding president Butch Conn and was in turn succeeded by Al Brooks.  

When McCann confided some Coakley faves and enthusiasms, he mentioned the drummer favored ginger cookies; so pianist Colleen Pratt brought Ginger Snaps onstage to share.

All the interlocking relationships in this scene suggest a friendly vibe, and the afternoon felt like a jazz club in the warm welcoming sense of the word.

Coakley’s longest-running gig here after arriving from Utica was with the late, great clarinetist Skip Parsons’s Riverboat Jazz Band. Likely the area’s top exponent of traditional jazz – formerly called Dixieland everywhere but in New Orleans whose musicians invented it – they played at Albany’s Fountain bar for nearly 50 years.

A lively echo of that band led off on Saturday, Coakley behind the drum-kit alongside bassist Pete Toigo behind a front line of banjoist Crick Diefendorf, clarinetist Ron Joseph, trombonist Ken Olsen and trumpeter-singer Rich Downs. While some bassists “walk” their lines, Toigo strutted, linking beats with Coakley to propulsive effect. 

Pete Toigo (photo by Michael Hochanadel)

Honoring both Coakley and their late founder, they managed that traditional jazz magic trick of making dense music sound simple by leaving spaces for each other. The close pals in this veteran band also showed how tunes are often cousins. After Hoagie Carmichael’s “Riverboat Shuffle” (the band’s theme song) set the table, “Tishomingo Blues” was kin to “Ain’t Misbehavin”” and “New Orleans” kinda echoed “Ain’t I Good to You.”

Downs did most of the singing and ably used mutes to change up his trumpet sound, while everybody got solo time; book-ended by spirited, all-hands-on-deck opening statements and codas. In “Make Me Down a Pallet on the Floor,” sung by Diefendorf, Coakley himself soloed, pretty damn spry for a beat-master of any age.

Waving a densely-worded lyric sheet and warning he’d never sung it before, Downs cautioned the crowd he might mess up the (many!) words of “Blues My Naughty Sweetie Gives to Me.” Sure enough, the wheels fell off; but after a restart that worked, they climbed back on it together and proved everybody plays better after a mistake. Their next number, “At the Jazz Band Ball,” with its tricky hesitation beat, hit hot and happy.

A what’s-next conference settled on a closing two-song plan – Coakley quipping “That’s enough for me” – of “I’m Satisfied with My Gal” and Bix’s “Louisiana,” both played with playful spunk and veteran assurance.

Skip Parsons Memorial Band (photo by Michael Hochanadel)

After a break, pianist Peg Delaney introduced the second set with “The Cat Walk,” closing theme of Coakley’s WAMC Saturday night jazz show, as Coakley beamed behind the drums.

She hit the stage fresh from wrapping the season at A Place for Jazz with a triumphant big-band show; her combo featured tenor saxophonist Jim Corigliano and trumpeter Steve Horowitz from the big band on Saturday, plus, she said, “the guy I sleep with,” bassist-husband Bill Delaney. 

Peg Delaney and band (photo by Michael Hochanadel)

As usual, she spiced her small-band offerings with singers. First up, Colleen Pratt skatted all over the place with the upbeat “All of Me,” then Patti Melita gave “I Can’t Give You Anything But Love” and “S’Wonderful” low-key readings before revving up “This Joint Is Jumpin’.” 

Jeanne O’Connor followed, moving Coakley to tears – though he didn’t miss a beat – in a tender “Once Upon A Time,” Corigliano going all Stan Getz breathy. She lightened the mood from the elegiac to the energetic with “I Love You Madly.”

Pratt returned to lead the mid-slow bossa “I Wish You Love” and the brisker “That’s All”  – Corigliano smiling at her as she skatted at the end.

Colleen Pratt (photo by Michael Hochanadel)

Host McCann then summoned fans toward the buffet table and players to the stage for a jam starring players we’d seen earlier in the two bands, plus new faces including drummer David Cavanaugh, Jerry Gordon playing washboard and singer Maggie McDougal.

As I left to hit another show – Dende Macedo in Schenectady – they are ganging up on “Lady Be Good,” the air full of zippy sound and the warm feeling of gratitude for an enduring hero of the area jazz scene.

Photo Gallery by Michael Hochanadel

  1. David J. Kavanaugh says

    Hi. I was that goofy looking guy who filled in on the drums for the jam session. The whole thing was quite lovely, wasn’t it? I have to admit however, I too got a bit misty eyed for that rendition of ‘Once Upon a Time’. My only regret was that I should have dressed up a bit more (everybody else did). After painting the ceiling, I slid into a clean shirt, while adorning my father’s old bolo tie. Anyway, thanks for the lovely write up about a lovely event.

  2. David J. Kavanaugh says

    For what it’s worth, I took a minimalist approach to backing these guys (actually, I’m old, having played over fifty years). Due to the excellence of these players, and all that was going on, musically, I focused on quarter notes (think: Hal Blaine, playing on Herb Albert’s ‘Taste of Honey’) while echoing Charlie Watts with a slight delay on the snare. Tim, of course, ‘was right in the pocket’. So, there it is. It was wonderful!

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